Hagia Sophia Artinya Adalah
Mosque and former church in Istanbul, Turkey
Hagia Sophia,[a] officially the Hagia Sophia Grand Mosque,[b] is a mosque and former church serving as a major cultural and historical site in Istanbul, Turkey. The last of three church buildings to be successively erected on the site by the Eastern Roman Empire, it was completed in AD 537. The site was an Eastern rite church from AD 360 to 1453, except for a brief time as a Latin Catholic church between the Fourth Crusade and 1261.[4] After the fall of Constantinople in 1453, it served as a mosque until 1935, when it became a museum. In 2020, the site once again became a mosque.
The current structure was built by the Byzantine emperor Justinian I as the Christian cathedral of Constantinople for the Byzantine Empire between 532 and 537, and was designed by the Greek geometers Isidore of Miletus and Anthemius of Tralles.[5] It was formally called the Church of God's Holy Wisdom (Greek: Ναὸς τῆς Ἁγίας τοῦ Θεοῦ Σοφίας, romanized: Naòs tês Hagías toû Theoû Sophías)[6][7] and upon completion became the world's largest interior space and among the first to employ a fully pendentive dome. It is considered the epitome of Byzantine architecture[8] and is said to have "changed the history of architecture".[9] The present Justinianic building was the third church of the same name to occupy the site, as the prior one had been destroyed in the Nika riots. As the episcopal see of the ecumenical patriarch of Constantinople, it remained the world's largest cathedral for nearly a thousand years, until the Seville Cathedral was completed in 1520. Beginning with subsequent Byzantine architecture, Hagia Sophia became the paradigmatic Orthodox church form, and its architectural style was emulated by Ottoman mosques a thousand years later.[10] It has been described as "holding a unique position in the Christian world"[10] and as an architectural and cultural icon of Byzantine and Eastern Orthodox civilization.[10][11][12]
The religious and spiritual centre of the Eastern Orthodox Church for nearly one thousand years, the church was dedicated to the Holy Wisdom.[13][14][15] It was where the excommunication of Patriarch Michael I Cerularius was officially delivered by Humbert of Silva Candida, the envoy of Pope Leo IX in 1054, an act considered the start of the East–West Schism. In 1204, it was converted during the Fourth Crusade into a Catholic cathedral under the Latin Empire, before being returned to the Eastern Orthodox Church upon the restoration of the Byzantine Empire in 1261. Enrico Dandolo, the doge of Venice who led the Fourth Crusade and the 1204 Sack of Constantinople, was buried in the church.
After the fall of Constantinople to the Ottoman Empire in 1453,[16] it was converted to a mosque by Mehmed the Conqueror and became the principal mosque of Istanbul until the 1616 construction of the Sultan Ahmed Mosque.[17][18] Upon its conversion, the bells, altar, iconostasis, ambo, and baptistery were removed, while iconography, such as the mosaic depictions of Jesus, Mary, Christian saints and angels were removed or plastered over.[19] Islamic architectural additions included four minarets, a minbar and a mihrab. The Byzantine architecture of the Hagia Sophia served as inspiration for many other religious buildings including the Hagia Sophia in Thessaloniki, Panagia Ekatontapiliani, the Şehzade Mosque, the Süleymaniye Mosque, the Rüstem Pasha Mosque and the Kılıç Ali Pasha Complex. The patriarchate moved to the Church of the Holy Apostles, which became the city's cathedral.
The complex remained a mosque until 1931, when it was closed to the public for four years. It was re-opened in 1935 as a museum under the secular Republic of Turkey, and the building was Turkey's most visited tourist attraction as of 2019[update].[20]
In July 2020, the Council of State annulled the 1934 decision to establish the museum, and the Hagia Sophia was reclassified as a mosque. The 1934 decree was ruled to be unlawful under both Ottoman and Turkish law as Hagia Sophia's waqf, endowed by Sultan Mehmed, had designated the site a mosque; proponents of the decision argued the Hagia Sophia was the personal property of the sultan. The decision to designate Hagia Sophia as a mosque was highly controversial. It resulted in divided opinions and drew condemnation from the Turkish opposition, UNESCO, the World Council of Churches and the International Association of Byzantine Studies, as well as numerous international leaders, while several Muslim leaders in Turkey and other countries welcomed its conversion into a mosque.
FAQs about Hagia Sophia
Hagia Sophia is originally a Greek name, meaning “Holy Wisdom.” According to historical studies, Hagia Sophia was an Egyptian Coptic saint born in Badrashin, Giza.
She used to worship idols, but her feelings were directed towards Christianity due to her Christian neighbours, who persevered going to church and spread love and affection.
Sophia, whom her friends and neighbours influenced, wanted to learn more about Christianity and regularly went to church to learn. A few days later, she converted to Christianity.
However, the Byzantine ruler saw that her deeds angered the gods and ordered her to return to idolatry, but she refused. So, he ordered his soldiers to torture her with whips, cut off her tongue, and sent her into a dark cell. Finally, he ordered his guards to decapitate her.
When King Constantine and his mother, Queen Helena, heard of the many blessings of the saint in Egypt, he ordered to transfer her body to Istanbul after he had built a great church in her honour.
Located in the Sultan Ahmed district in Istanbul, Hagia Sophia is a unique art and architecture work; it is one of the most prominent architectural monuments in the Middle East. It used to be a mosque for 481 years, then turned into a museum in 1934.
King Constantine and his mother, Queen Helena, built it in 325 AD. After being burnt and destroyed, Hagia Sophia was rebuilt in 5 years by Emperor Justinian (Justinian I) to be completed in 573.
About 100 architects took part in the construction work, supervised by two senior architects. Every architect worked with 100 workers.
Hagia Sophia is located on the European side of Istanbul, in the Sultan Ahmed district.
Hagia Sophia was built in 325 AD by King Constantine and his mother, Queen Helena.
Hagia Sophia was originally a church before it was turned into a mosque by Sultan Mehmed Fatih in 1453. Then it was turned into a museum in 1934 by Mustafa Kemal Ataturk, and finally back to a mosque in 2020.
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Hagia Sophia kembali jadi masjid setelah sempat berstatus museum dan ditetapkan UNESCO sebagai warisan dunia. Melalui akun Twitternya, Presiden Turki Recep Tayyip Erdogan menganggapnya sebagai kebangkitan bangunan bersejarah tersebut.
"Kebangkitan Hagia Sophia...," tulis Erdogan di akun @RTErdogan yang dilihat detikcom pada Sabtu (11/7/2020). Tweet ini mendapat 23 ribu retweet dan komentar serta 76 ribu like dari para netizen.
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Kembalinya Hagia Sophia menjadi masjid sesuai Majelis Negara Turki membatalkan keputusan kabinet pada 1934. Keputusan ini mengundang reaksi dari masyarakat internasional, dengan sebagian mendukung dan menolak keputusan tersebut.
Terlepas dari reaksi netizen, warga internasional, dan sikap tiap negara, Hagia Sophia memang punya sejarah yang sangat panjang. Dikutip dari History, Hagia Sophia jadi saksi kejatuhan dan kebangkitan dinasti penguasa Turki.
Hagia Sophia dalam bahasa Turki disebut Ayasofya sedangkan dalam bahasa latin adalah Sancta Sophia. Nama Hagia Sophia artinya adalah kebijaksanaan sesuai peruntukan bangunan tersebut sebagai rumah ibadah.
360 Masehi: Kaisar Bizantium, Constantius I, memerintahkan pembangunan Hagia Sophia sebagai sebuah gereja untuk umat Kristen Ortodoks Yunani di Konstantinopel yang kini bernama Istanbul. Awalnya gereja ini beratapkan kayu.
404 : Bangunan Hagia Sophia pertama terbakar akibat kerusuhan yang terjadi di sekitar bangunan tersebut. Kerusuhan diakibatkan konflik politik antar keluarga Kaisar Arkadios yang kemudian menjadi penguasa pada 395-408 AD.
415: Struktur kedua Hagia Sophia selesai dibangun Kaisar Theodosis II yang merupakan penerus Arkadio. Bangunan yang baru memiliki lima nave (tempat bangku-bangku umat) dan jalan masuk yang khas dengan atap terbuat dari kayu.
532: Dikutip dari Encyclopedia Britannica, Hagia Sophia terbakar kedua kalinya dalam peristiwa Revolusi Nika atau Nika Revolt. Revolusi tersebut melawan Kaisar Justinian I yang memerintah pada 527-565. Saat itu Hagia Sophia masih menjadi bangunan penting penganut Ortodoks Yunani.
532: Masih di tahun yang sama, Kaisar Justinian memerintahkan penghancuran Hagia Sophia karena kondisinya yang rusak parah. Dia memerintahkan pembangunan kembali gereja tersebut dengan menunjuk arsitek Isidoros (Milet) dan Anthemios (Tralles).
537: Pembangunan ketiga Hagia Sophia selesai dalam lima tahun dan ibadah pertama dilakukan pada 27 Desember 537. Saat itu Kaisar Justinian disebut mengatakan, "Tuhanku, terima kasih atas kesempatan membangun sebuah tempat ibadah."
Hagia Sophia melanjutkan perannya yang sangat penting dalam politik dan sejarah Bizantium, termasuk menjadi saksi Perang Salib. Wilayah Konstantinopel termasuk Hagia Sophia sempat berada di bawah kekuasaan Romawi untuk waktu singkat. Kekaisaran Bizantium dikisahkan berhasil menguasai kembali kota tersebut dan Hagia Sophia yang kembali rusak.
Perubahan besar Hagia Sophia selanjutnya terjadi sekitar 200 tahun kemudian saat Dinasti Ottoman menguasai Kontantinopel. Di bawah pimpinan Sultan Muhammad Al Fatih (Mehmed II), dinasti ini berhasil menaklukkan wilayah tersebut dan mengganti namanya menjadi Istanbul pada 1453.
Dengan pengaruh Islam, Hagia Sophia diubah menjadi masjid dengan menutup ornamen bangunan yang bertema Orthodox. Ornamen diganti kaligrafi yang didesain Kazasker Mustafa İzzet. Kaligrafi tersebut antara lain tulisan Allah SWT, Nabi Muhammad SAW, empat khalifah pertama, dan dua cucu Rasulullah SAW.
The Architectural Design of Hagia Sophia
The main building is 82 meters high, and its dome is 55.6 meters high, with a 31.7-meter diameter and 40 windows. The building is placed on four massive columns made of green marble; each is 24.3 meters high. At the end of the 20th century, four hidden tilted pillars were discovered against the upper dome, meaning they are the oldest existing pillars in the history of architecture.
The building can be entered through nine doors. It has a basilica style (ancient Roman architecture) known by the Greeks in building their religious monuments and found in Rome. Their buildings are rectangular-shaped from inside and outside, with a spacious frontal atrium, surrounded by a long porch leading to side halls, one of which is the main hall, where the colossal dome rest on.
Halls Surrounding Hagia Sophia and Doors Leading to the Main Hall
Hagia Sophia’s Main Hall Ceiling from Inside
Aya Sofya Holds the First Prayer for 86 Years
Works influenced by the Hagia Sophia
Many buildings have been modeled on the Hagia Sophia's core structure of a large central dome resting on pendentives and buttressed by two semi-domes.
Byzantine churches influenced by the Hagia Sophia include the Hagia Sophia in Thessaloniki, and the Hagia Irene. The latter was remodeled to have a dome similar to the Hagia Sophia's during the reign of Justinian.
Several mosques commissioned by the Ottoman dynasty have plans based on the Hagia Sophia, including the Süleymaniye Mosque and the Bayezid II Mosque.[281][282] Ottoman architects preferred to surround the central dome with four semi-domes rather than two.[283] There are four semi-domes on the Sultan Ahmed Mosque, the Fatih Mosque,[284] and the New Mosque (Istanbul). As with the original plan of the Hagia Sophia, these mosques are entered through colonnaded courtyards. However, the courtyard of the Hagia Sophia no longer exists.
Neo-Byzantine churches modeled on the Hagia Sophia include the Kronstadt Naval Cathedral, Holy Trinity Cathedral, Sibiu[285] and Poti Cathedral. Each closely replicates the internal geometry of the Hagia Sophia. The layout of the Kronstadt Naval Cathedral is nearly identical to the Hagia Sophia in size and geometry. Its marble revetment also mimics the style of the Hagia Sophia.
As with Ottoman mosques, several churches based on the Hagia Sophia include four semi-domes rather than two, such as the Church of Saint Sava in Belgrade.[286][287] The Catedral Metropolitana Ortodoxa in São Paulo and the Église du Saint-Esprit (Paris) both replace the two large tympanums beneath the main dome with two shallow semi-domes. The Église du Saint-Esprit is two thirds the size of the Hagia Sophia.
Several churches combine elements of the Hagia Sophia with a Latin cross plan. For instance, the transept of the Cathedral Basilica of Saint Louis (St. Louis) is formed by two semi-domes surrounding the main dome. The church's column capitals and mosaics also emulate the style of the Hagia Sophia. Other examples include the Alexander Nevsky Cathedral, Sofia, St Sophia's Cathedral, London, Saint Clement Catholic Church, Chicago, and the Basilica of the National Shrine of the Immaculate Conception.
Synagogues based on the Hagia Sophia include the Congregation Emanu-El (San Francisco),[288] Great Synagogue of Florence, and Hurva Synagogue.
Detail of the columns
Detail of the columns
Six patriarchs mosaic in the southern tympanum as drawn by the Fossati brothers
Moasics as drawn by the Fossati brothers
's engraving 1672, looking east and showing the apse mosaic
's engraving 1672, looking west
Watercolour of the interior by
Imperial Gate from the nave
19th-century cenotaph of
, and commander of the 1204
Fountain of Ahmed III from the gate of the külliye, by John Frederick Lewis, 1838
Southern side of Hagia Sophia, looking east, by John Frederick Lewis, 1838
Interior of Haghia Sophia
Hagia Sophia from the south-west, 1914
Hagia Sophia in the snow, December 2015
See also the thematically organised full bibliography in Stroth 2021.[1]
Links to related articles
Notable elements and decorations
Originally, under Justinian's reign, the interior decorations consisted of abstract designs on marble slabs on the walls and floors as well as mosaics on the curving vaults. Of these mosaics, the two archangels Gabriel and Michael are still visible in the spandrels (corners) of the bema. There were already a few figurative decorations, as attested by the late 6th-century ekphrasis of Paul the Silentiary, the Description of Hagia Sophia. The spandrels of the gallery are faced in inlaid thin slabs (opus sectile), showing patterns and figures of flowers and birds in precisely cut pieces of white marble set against a background of black marble. In later stages, figurative mosaics were added, which were destroyed during the iconoclastic controversy (726–843). Present mosaics are from the post-iconoclastic period.
Apart from the mosaics, many figurative decorations were added during the second half of the 9th century: an image of Christ in the central dome; Eastern Orthodox saints, prophets and Church Fathers in the tympana below; historical figures connected with this church, such as Patriarch Ignatius; and some scenes from the Gospels in the galleries. Basil II let artists paint a giant six-winged seraph on each of the four pendentives.[82] The Ottomans covered their faces with golden stars,[82] but in 2009, one of them was restored to its original state.[240]
Emperor Alexander mosaic
The Emperor Alexander mosaic is not easy to find for the first-time visitor, located on the second floor in a dark corner of the ceiling. It depicts the emperor Alexander in full regalia, holding a scroll in his right hand and a globus cruciger in his left. A drawing by the Fossatis showed that the mosaic survived until 1849 and that Thomas Whittemore, founder of the Byzantine Institute of America who was granted permission to preserve the mosaics, assumed that it had been destroyed in the earthquake of 1894. Eight years after his death, the mosaic was discovered in 1958 largely through the researches of Robert Van Nice. Unlike most of the other mosaics in Hagia Sophia, which had been covered over by ordinary plaster, the Alexander mosaic was simply painted over and reflected the surrounding mosaic patterns and thus was well hidden. It was duly cleaned by the Byzantine Institute's successor to Whittemore, Paul A. Underwood.[273][274]
The Empress Zoe mosaic on the eastern wall of the southern gallery dates from the 11th century. Christ Pantocrator, clad in the dark blue robe (as is the custom in Byzantine art), is seated in the middle against a golden background, giving his blessing with the right hand and holding the Bible in his left hand. On either side of his head are the nomina sacra IC and XC, meaning Iēsous Christos. He is flanked by Constantine IX Monomachus and Empress Zoe, both in ceremonial costumes. He is offering a purse, as a symbol of donation, he made to the church, while she is holding a scroll, symbol of the donations she made. The inscription over the head of the emperor says: "Constantine, pious emperor in Christ the God, king of the Romans, Monomachus". The inscription over the head of the empress reads as follows: "Zoë, the very pious Augusta". The previous heads have been scraped off and replaced by the three present ones. Perhaps the earlier mosaic showed her first husband Romanus III Argyrus or her second husband Michael IV. Another theory is that this mosaic was made for an earlier emperor and empress, with their heads changed into the present ones.[275]
The Comnenus mosaic, also located on the eastern wall of the southern gallery, dates from 1122. The Virgin Mary is standing in the middle, depicted, as usual in Byzantine art, in a dark blue gown. She holds the Christ Child on her lap. He gives his blessing with his right hand while holding a scroll in his left hand. On her right side stands emperor John II Comnenus, represented in a garb embellished with precious stones. He holds a purse, symbol of an imperial donation to the church. His wife, the empress Irene of Hungary stands on the left side of the Virgin, wearing ceremonial garments and offering a document. Their eldest son Alexius Comnenus is represented on an adjacent pilaster. He is shown as a beardless youth, probably representing his appearance at his coronation aged seventeen. In this panel, one can already see a difference with the Empress Zoe mosaic that is one century older. There is a more realistic expression in the portraits instead of an idealized representation. The Empress Irene (born Piroska), daughter of Ladislaus I of Hungary, is shown with plaited blond hair, rosy cheeks, and grey eyes, revealing her Hungarian descent. The emperor is depicted in a dignified manner.[276]
The Deësis mosaic (Δέησις, "Entreaty") probably dates from 1261. It was commissioned to mark the end of 57 years of Latin Catholic use and the return to the Eastern Orthodox faith. It is the third panel situated in the imperial enclosure of the upper galleries. It is widely considered the finest in Hagia Sophia, because of the softness of the features, the humane expressions and the tones of the mosaic. The style is close to that of the Italian painters of the late 13th or early 14th century, such as Duccio. In this panel the Virgin Mary and John the Baptist (Ioannes Prodromos), both shown in three-quarters profile, are imploring the intercession of Christ Pantocrator for humanity on Judgment Day. The bottom part of this mosaic is badly deteriorated.[277] This mosaic is considered as the beginning of a renaissance in Byzantine pictorial art.[278]
The Viking Inscription
In the southern section of Hagia Sophia, a 9th-century Viking inscription has been discovered, which reads, "Halvdan was here." It is theorized that the inscription was created by a Viking soldier serving as a mercenary in the Eastern Roman Empire.[249]
The first mosaics which adorned the church were completed during the reign of Justin II.[250] Many of the non-figurative mosaics in the church come from this period. Most of the mosaics, however, were created in the 10th and 12th centuries,[251][better source needed] following the periods of Byzantine Iconoclasm.
During the Sack of Constantinople in 1204, the Latin Crusaders vandalized valuable items in every important Byzantine structure of the city, including the golden mosaics of the Hagia Sophia. Many of these items were shipped to Venice, whose Doge Enrico Dandolo had organized the invasion and sack of Constantinople after an agreement with Prince Alexios Angelos, the son of a deposed Byzantine emperor.
Reversion to mosque (2018–present)
Since 2018, Turkish president Recep Tayyip Erdoğan had talked of reverting the status of the Hagia Sophia back to a mosque, a move seen to be very popularly accepted by the religious populace whom Erdoğan was attempting to persuade.[147] On 31 March 2018 Erdoğan recited the first verse of the Quran in the Hagia Sophia, dedicating the prayer to the "souls of all who left us this work as inheritance, especially Istanbul's conqueror," strengthening the political movement to make the Hagia Sophia a mosque once again, which would reverse Atatürk's measure of turning the Hagia Sophia into a secular museum.[148] In March 2019 Erdoğan said that he would change the status of Hagia Sophia from a museum to a mosque,[149] adding that it had been a "very big mistake" to turn it into a museum.[150] As a UNESCO World Heritage site, this change would require approval from UNESCO's World Heritage Committee.[151] In late 2019 Erdoğan's office took over the administration and upkeep of the nearby Topkapı Palace Museum, transferring responsibility for the site from the Ministry of Culture and Tourism by presidential decree.[152][153][154]
In 2020, Turkey's government celebrated the 567th anniversary of the Conquest of Constantinople with an Islamic prayer in Hagia Sophia. Erdoğan said during a televised broadcast "Al-Fath surah will be recited and prayers will be done at Hagia Sophia as part of conquest festival".[155] In May, during the anniversary events, passages from the Quran were read in the Hagia Sophia. Greece condemned this action, while Turkey in response accused Greece of making "futile and ineffective statements".[156] In June, the head of Turkey's Directorate of Religious Affairs (Diyanet) said that "we would be very happy to open Hagia Sophia for worship" and that if it happened "we will provide our religious services as we do in all our mosques".[142] On 25 June, John Haldon, president of the International Association of Byzantine Studies, wrote an open letter to Erdoğan asking that he "consider the value of keeping the Aya Sofya as a museum".[157]
On 10 July 2020, the decision of the Council of Ministers from 1935 to transform the Hagia Sophia into a museum was annulled by the Council of State, decreeing that Hagia Sophia cannot be used "for any other purpose" than being a mosque and that the Hagia Sophia was property of the Fatih Sultan Mehmet Han Foundation. The council reasoned Ottoman Sultan Mehmet II, who conquered Istanbul, deemed the property to be used by the public as a mosque without any fees and was not within the jurisdiction of the Parliament or a ministry council.[158][159] Despite secular and global criticism, Erdoğan signed a decree annulling the Hagia Sophia's museum status, reverting it to a mosque.[160][161] The call to prayer was broadcast from the minarets shortly after the announcement of the change and rebroadcast by major Turkish news networks.[161] The Hagia Sophia Museum's social media channels were taken down the same day, with Erdoğan announcing at a press conference that prayers themselves would be held there from 24 July.[161] A presidential spokesperson said it would become a working mosque, open to anyone similar to the Parisian churches Sacré-Cœur and Notre-Dame. The spokesperson also said that the change would not affect the status of the Hagia Sophia as a UNESCO World Heritage site, and that "Christian icons" within it would continue to be protected.[147] Earlier the same day, before the final decision, the Turkish Finance and Treasury Minister Berat Albayrak and the Justice Minister Abdulhamit Gül expressed their expectations of opening the Hagia Sophia to worship for Muslims.[162][163] Mustafa Şentop, Speaker of Turkey's Grand National Assembly, said "a longing in the heart of our nation has ended".[162] A presidential spokesperson claimed that all political parties in Turkey supported Erdoğan's decision;[164] however, the Peoples' Democratic Party had previously released a statement denouncing the decision, saying "decisions on human heritage cannot be made on the basis of political games played by the government".[165] The mayor of Istanbul, Ekrem İmamoğlu, said that he supports the conversion "as long as it benefits Turkey", adding that he felt that Hagia Sophia has been a mosque since 1453.[166] Ali Babacan attacked the policy of his former ally Erdoğan, saying the Hagia Sophia issue "has come to the agenda now only to cover up other problems".[167] Orhan Pamuk, Turkish novelist and Nobel laureate, publicly denounced the move, saying "Kemal Atatürk changed... Hagia Sophia from a mosque to a museum, honouring all previous Greek Orthodox and Latin Catholic history, making it as a sign of Turkish modern secularism".[161][168]
On 17 July, Erdoğan announced that the first prayers in the Hagia Sophia would be open to between 1,000 and 1,500 worshippers. He said that Turkey had sovereign power over Hagia Sophia and was not obligated to bend to international opinion.[169]
While the Hagia Sophia has now been rehallowed as a mosque, the place remains open for visitors outside of prayer times. While at the beginning the entrance was free,[170] later the Turkish government decided that, starting from 15 January 2024, foreign nationals would have to pay an entrance fee.[171]
On 22 July, a turquoise-coloured carpet was laid to prepare the mosque for worshippers; Ali Erbaş, head of the Diyanet, attended its laying.[167] The omphalion was left exposed. Due to the COVID-19 pandemic, Erbaş said Hagia Sophia would accommodate up to 1,000 worshippers at a time and asked that they bring "masks, a prayer rug, patience and understanding".[167] The mosque opened for Friday prayers on 24 July, the 97th anniversary of the signature of the Treaty of Lausanne, which established the borders of the modern Turkish Republic.[167] The mosaics of the Virgin and Child in the apse were covered by white drapes.[168] There had been proposals to conceal the mosaics with lasers during prayer times, but this idea was ultimately shelved.[172][173] Erbaş proclaimed during his sermon, "Sultan Mehmet the Conqueror dedicated this magnificent construction to believers to remain a mosque until the Day of Resurrection".[168] Erdoğan and some government ministers attended the midday prayers as many worshippers prayed outside; at one point the security cordon was breached and dozens of people broke through police lines.[168] Turkey invited foreign leaders and officials, including Pope Francis, for the prayers.[174] It is the fourth Byzantine church converted from museum to a mosque during Erdoğan's rule.[175]
In April 2022, the Hagia Sophia held its first Ramadan tarawih prayer in 88 years.[176]
Days before the final decision on the conversion was made, Ecumenical Patriarch Bartholomew I of Constantinople stated in a sermon that "the conversion of Hagia Sophia into a mosque would disappoint millions of Christians around the world", he also said that Hagia Sophia, which was "a vital center where East is embraced with the West", would "fracture these two worlds" in the event of conversion.[177][178] The proposed conversion was decried by other Orthodox Christian leaders, the Russian Orthodox Church's Patriarch Kirill of Moscow stating that "a threat to Hagia Sophia [wa]s a threat to all of Christian civilization".[179][180]
Following the Turkish government's decision, UNESCO announced it "deeply regret[ted]" the conversion "made without prior discussion", and asked Turkey to "open a dialogue without delay", stating that the lack of negotiation was "regrettable".[181][161] UNESCO further announced that the "state of conservation" of Hagia Sophia would be "examined" at the next session of the World Heritage Committee, urging Turkey "to initiate dialogue without delay, in order to prevent any detrimental effect on the universal value of this exceptional heritage".[181] Ernesto Ottone, UNESCO's Assistant Director-General for Culture said "It is important to avoid any implementing measure, without prior discussion with UNESCO, that would affect physical access to the site, the structure of the buildings, the site's moveable property, or the site's management".[181] UNESCO's statement of 10 July said "these concerns were shared with the Republic of Turkey in several letters, and again yesterday evening with the representative of the Turkish Delegation" without a response.[181]
The World Council of Churches, which claims to represent 500 million Christians of 350 denominations, condemned the decision to convert the building into a mosque, saying that would "inevitably create uncertainties, suspicions and mistrust"; the World Council of Churches urged Turkey's president Erdoğan "to reconsider and reverse" his decision "in the interests of promoting mutual understanding, respect, dialogue and cooperation, and avoiding cultivating old animosities and divisions".[182][183][184] At the recitation of the Sunday Angelus prayer at St Peter's Square on 12 July Pope Francis said, "My thoughts go to Istanbul. I think of Santa Sophia and I am very pained" (Italian: Penso a Santa Sofia, a Istanbul, e sono molto addolorato).[c][186][187] The International Association of Byzantine Studies announced that its 21st International Congress, due to be held in Istanbul in 2021, will no longer be held there and is postponed to 2022.[157]
Josep Borrell, the European Union's High Representative for Foreign Affairs and Vice-President of the European Commission, released a statement calling the decisions by the Council of State and Erdoğan "regrettable" and pointing out that "as a founding member of the Alliance of Civilisations, Turkey has committed to the promotion of inter-religious and inter-cultural dialogue and to fostering of tolerance and co-existence."[188] According to Borrell, the European Union member states' twenty-seven foreign ministers "condemned the Turkish decision to convert such an emblematic monument as the Hagia Sophia" at meeting on 13 July, saying it "will inevitably fuel the mistrust, promote renewed division between religious communities and undermine our efforts at dialog and cooperation" and that "there was a broad support to call on the Turkish authorities to urgently reconsider and reverse this decision".[189][190] Greece denounced the conversion and considered it a breach of the UNESCO World Heritage titling.[147] Greek culture minister Lina Mendoni called it an "open provocation to the civilised world" which "absolutely confirms that there is no independent justice" in Erdoğan's Turkey, and that his Turkish nationalism "takes his country back six centuries".[191] Greece and Cyprus called for EU sanctions on Turkey.[192] Morgan Ortagus, the spokesperson for the United States Department of State, noted: "We are disappointed by the decision by the government of Turkey to change the status of the Hagia Sophia."[191] Jean-Yves Le Drian, foreign minister of France, said his country "deplores" the move, saying "these decisions cast doubt on one of the most symbolic acts of modern and secular Turkey".[184] Vladimir Dzhabarov, deputy head of the foreign affairs committee of the Russian Federation Council, said that it "will not do anything for the Muslim world. It does not bring nations together, but on the contrary brings them into collision" and calling the move a "mistake".[191] The former deputy prime minister of Italy, Matteo Salvini, held a demonstration in protest outside the Turkish consulate in Milan, calling for all plans for accession of Turkey to the European Union to be terminated "once and for all".[193] In East Jerusalem, a protest was held outside the Turkish consulate on 13 July, with the burning of a Turkish flag and the display of the Greek flag and flag of the Greek Orthodox Church.[194] In a statement the Turkish foreign ministry condemned the burning of the flag, saying "nobody can disrespect or encroach our glorious flag".[195]
Ersin Tatar, prime minister of the Turkish Republic of Northern Cyprus, which is recognized only by Turkey, welcomed the decision, calling it "sound" and "pleasing".[196][191] He further criticized the government of Cyprus, claiming that "the Greek Cypriot administration, who burned down our mosques, should not have a say in this".[196] Through a spokesman the Foreign Ministry of Iran welcomed the change, saying the decision was an "issue that should be considered as part of Turkey's national sovereignty" and "Turkey's internal affair".[197] Sergei Vershinin, deputy foreign minister of Russia, said that the matter was of one of "internal affairs, in which, of course, neither we nor others should interfere."[198][199] The Arab Maghreb Union was supportive.[200] Ekrema Sabri, imam of the al-Aqsa Mosque, and Ahmed bin Hamad al-Khalili, grand mufti of Oman, both congratulated Turkey on the move.[200] The Muslim Brotherhood was also in favour of the news.[200] A spokesman for the Palestinian Islamist movement Hamas called the verdict "a proud moment for all Muslims".[201] Pakistani politician Chaudhry Pervaiz Elahi of the Pakistan Muslim League (Q) welcomed the ruling, claiming it was "not only in accordance with the wishes of the people of Turkey but the entire Muslim world".[202] The Muslim Judicial Council group in South Africa praised the move, calling it "a historic turning point".[203] In Nouakchott, capital of Mauritania, there were prayers and celebrations topped by the sacrifice of a camel.[204] On the other hand, Shawki Allam, grand mufti of Egypt, ruled that conversion of the Hagia Sophia to a mosque is "impermissible".[205]
When President Erdoğan announced that the first Muslim prayers would be held inside the building on 24 July, he added that "like all our mosques, the doors of Hagia Sophia will be wide open to locals and foreigners, Muslims and non-Muslims." Presidential spokesman İbrahim Kalın said that the icons and mosaics of the building would be preserved, and that "in regards to the arguments of secularism, religious tolerance and coexistence, there are more than four hundred churches and synagogues open in Turkey today."[206] Ömer Çelik, spokesman for the ruling Justice and Development Party (AKP), announced on 13 July that entry to Hagia Sophia would be free of charge and open to all visitors outside prayer times, during which Christian imagery in the building's mosaics would be covered by curtains or lasers.[193] The Turkish foreign minister, Mevlüt Çavuşoğlu, told TRT Haber on 13 July that the government was surprised at the reaction of UNESCO, saying that "We have to protect our ancestors' heritage. The function can be this way or that way – it does not matter".[207]
On 14 July the prime minister of Greece, Kyriakos Mitsotakis, said his government was "considering its response at all levels" to what he called Turkey's "unnecessary, petty initiative", and that "with this backward action, Turkey is opting to sever links with western world and its values".[208] In relation to both Hagia Sophia and the Cyprus–Turkey maritime zones dispute, Mitsotakis called for European sanctions against Turkey, referring to it as "a regional troublemaker, and which is evolving into a threat to the stability of the whole south-east Mediterranean region".[208] Dora Bakoyannis, Greek former foreign minister, said Turkey's actions had "crossed the Rubicon", distancing itself from the West.[209] On the day of the building's re-opening, Mitsotakis called the re-conversion evidence of Turkey's weakness rather than a show of power.[168]
Armenia's Foreign Ministry expressed "deep concern" about the move, adding that it brought to a close Hagia Sophia's symbolism of "cooperation and unity of humankind instead of clash of civilizations."[210] Catholicos Karekin II, the head of the Armenian Apostolic Church, said the move "violat[ed] the rights of national religious minorities in Turkey."[211] Sahak II Mashalian, the Armenian Patriarch of Constantinople, perceived as loyal to the Turkish government, endorsed the decision to convert the museum into a mosque. He said, "I believe that believers' praying suits better the spirit of the temple instead of curious tourists running around to take pictures."[212]
In July 2021, UNESCO asked for an updated report on the state of conservation and expressed "grave concern". There were also some concerns about the future of its World Heritage status.[213] Turkey responded that the changes had "no negative impact" on UNESCO standards and the criticism is "biased and political".[214]
Hagia Sophia is one of the greatest surviving examples of Byzantine architecture.[8] Its interior is decorated with mosaics, marble pillars, and coverings of great artistic value. Justinian had overseen the completion of the greatest cathedral ever built up to that time, and it was to remain the largest cathedral for 1,000 years until the completion of the cathedral in Seville in Spain.[215]
The Hagia Sophia uses masonry construction. The structure has brick and mortar joints that are 1.5 times the width of the bricks. The mortar joints are composed of a combination of sand and minute ceramic pieces distributed evenly throughout the mortar joints. This combination of sand and potsherds was often used in Roman concrete, a predecessor to modern concrete. A considerable amount of iron was used as well, in the form of cramps and ties.[216]
Justinian's basilica was at once the culminating architectural achievement of late antiquity and the first masterpiece of Byzantine architecture. Its influence, both architecturally and liturgically, was widespread and enduring in the Eastern Christianity, Western Christianity, and Islam alike.[217][218]
The vast interior has a complex structure. The nave is covered by a central dome which at its maximum is 55.6 m (182 ft 5 in) from floor level and rests on an arcade of 40 arched windows. Repairs to its structure have left the dome somewhat elliptical, with the diameter varying between 31.24 and 30.86 m (102 ft 6 in and 101 ft 3 in).[219]
At the western entrance and eastern liturgical side, there are arched openings extended by half domes of identical diameter to the central dome, carried on smaller semi-domed exedrae, a hierarchy of dome-headed elements built up to create a vast oblong interior crowned by the central dome, with a clear span of 76.2 m (250 ft).[8]
The theories of Hero of Alexandria, a Hellenistic mathematician of the 1st century AD, may have been utilized to address the challenges presented by building such an expansive dome over so large a space.[220] Svenshon and Stiffel proposed that the architects used Hero's proposed values for constructing vaults. The square measurements were calculated using the side-and-diagonal number progression, which results in squares defined by the numbers 12 and 17, wherein 12 defines the side of the square and 17 its diagonal, which have been used as standard values as early as in cuneiform Babylonian texts.[221]
Each of the four sides of the great square Hagia Sophia is approximately 31 m long,[222] and it was previously thought that this was the equivalent of 100 Byzantine feet.[221] Svenshon suggested that the size of the side of the central square of Hagia Sophia is not 100 Byzantine feet but instead 99 feet. This measurement is not only rational, but it is also embedded in the system of the side-and-diagonal number progression (70/99) and therefore a usable value by the applied mathematics of antiquity. It gives a diagonal of 140 which is manageable for constructing a huge dome like that of the Hagia Sophia.[223]
The stone floor of Hagia Sophia dates from the 6th century. After the first collapse of the vault, the broken dome was left in situ on the original Justinianic floor and a new floor was laid above the rubble when the dome was rebuilt in 558.[224] From the installation of this second Justinianic floor, the floor became part of the liturgy, with significant locations and spaces demarcated in various ways using different-coloured stones and marbles.[224]
The floor is predominantly made up of Proconnesian marble, quarried on Proconnesus (Marmara Island) in the Propontis (Sea of Marmara). This was the main white marble used in the monuments of Constantinople. Other parts of the floor, like the Thessalian verd antique "marble", were quarried in Thessaly in Roman Greece. The Thessalian verd antique bands across the nave floor were often likened to rivers.[225]
The floor was praised by numerous authors and repeatedly compared to a sea.[114] The Justinianic poet Paul the Silentiary likened the ambo and the solea connecting it to the sanctuary with an island in a sea, with the sanctuary itself a harbour.[114] The 9th-century Narratio writes of it as "like the sea or the flowing waters of a river".[114] Michael the Deacon in the 12th century also described the floor as a sea in which the ambo and other liturgical furniture stood as islands.[114] During the 15th-century conquest of Constantinople, the Ottoman caliph Mehmed is said to have ascended to the dome and the galleries in order to admire the floor, which according to Tursun Beg resembled "a sea in a storm" or a "petrified sea".[114] Other Ottoman-era authors also praised the floor; Tâcîzâde Cafer Çelebi compared it to waves of marble.[114] The floor was hidden beneath a carpet on 22 July 2020.[167]
The Imperial Gate, or Imperial Door, was the main entrance between the exo- and esonarthex, and it was originally exclusively used by the emperor.[226][227] A long ramp from the northern part of the outer narthex leads up to the upper gallery.[228]
The upper gallery, or matroneum, is horseshoe-shaped; it encloses the nave on three sides and is interrupted by the apse. Several mosaics are preserved in the upper gallery, an area traditionally reserved for the Empress and her court. The best-preserved mosaics are located in the southern part of the gallery.
The northern first floor gallery contains runic graffiti believed to have been left by members of the Varangian Guard.[229] Structural damage caused by natural disasters is visible on the Hagia Sophia's exterior surface. To ensure that the Hagia Sophia did not sustain any damage on the interior of the building, studies have been conducted using ground penetrating radar within the gallery of the Hagia Sophia. With the use of ground-penetrating radar (GPR), teams discovered weak zones within the Hagia Sophia's gallery and also concluded that the curvature of the vault dome has been shifted out of proportion, compared to its original angular orientation.[230]
The dome of Hagia Sophia has spurred particular interest for many art historians, architects, and engineers because of the innovative way the original architects envisioned it. The dome is carried on four spherical triangular pendentives, making the Hagia Sophia one of the first large-scale uses of this element. The pendentives are the corners of the square base of the dome, and they curve upwards into the dome to support it, thus restraining the lateral forces of the dome and allowing its weight to flow downwards.[231][232] The main dome of the Hagia Sophia was the largest pendentive dome in the world until the completion of St Peter's Basilica, and it has a much lower height than any other dome of such a large diameter.
The great dome at the Hagia Sophia is 32.6 meters (one hundred and seven feet) in diameter and is only 0.61 meters (two feet) thick. The main building materials for the original Hagia Sophia were brick and mortar. Brick aggregate was used to make roofs easier to construct. The aggregate weighs 2402.77 kilograms per cubic meter (150 pounds per cubic foot), an average weight of masonry construction at the time. Due to the materials plasticity, it was chosen over cut stone due to the fact that aggregate can be used over a longer distance.[233] According to Rowland Mainstone, "it is unlikely that the vaulting-shell is anywhere more than one normal brick in thickness".[234]
The weight of the dome remained a problem for most of the building's existence. The original cupola collapsed entirely after the earthquake of 558; in 563 a new dome was built by Isidore the Younger, a nephew of Isidore of Miletus. Unlike the original, this included 40 ribs and was raised 6.1 meters (20 feet), in order to lower the lateral forces on the church walls. A larger section of the second dome collapsed as well, over two episodes, so that as of 2021, only two sections of the present dome, the north and south sides, are from the 562 reconstructions. Of the whole dome's 40 ribs, the surviving north section contains eight ribs, while the south section includes six ribs.[235]
Although this design stabilizes the dome and the surrounding walls and arches, the actual construction of the walls of Hagia Sophia weakened the overall structure. The bricklayers used more mortar than brick, which is more effective if the mortar was allowed to settle, as the building would have been more flexible; however, the builders did not allow the mortar to cure before they began the next layer. When the dome was erected, its weight caused the walls to lean outward because of the wet mortar underneath. When Isidore the Younger rebuilt the fallen cupola, he had first to build up the interior of the walls to make them vertical again. Additionally, the architect raised the height of the rebuilt dome by approximately 6 m (20 ft) so that the lateral forces would not be as strong and its weight would be transmitted more effectively down into the walls. Moreover, he shaped the new cupola like a scalloped shell or the inside of an umbrella, with ribs that extend from the top down to the base. These ribs allow the weight of the dome to flow between the windows, down the pendentives, and ultimately to the foundation.[236]
Hagia Sophia is famous for the light that reflects everywhere in the interior of the nave, giving the dome the appearance of hovering above. This effect was achieved by inserting forty windows around the base of the original structure. Moreover, the insertion of the windows in the dome structure reduced its weight.[236]
Numerous buttresses have been added throughout the centuries. The flying buttresses to the west of the building, although thought to have been constructed by the Crusaders upon their visit to Constantinople, were actually built during the Byzantine era. This shows that the Romans had prior knowledge of flying buttresses, which can also be seen at in Greece, at the Rotunda of Galerius in Thessaloniki, at the monastery of Hosios Loukas in Boeotia, and in Italy at the octagonal basilica of San Vitale in Ravenna.[236] Other buttresses were constructed during the Ottoman times under the guidance of the architect Sinan. A total of 24 buttresses were added.[237]
The minarets were an Ottoman addition and not part of the original church's Byzantine design. They were built for notification of invitations for prayers (adhan) and announcements. Mehmed had built a wooden minaret over one of the half domes soon after Hagia Sophia's conversion from a cathedral to a mosque. This minaret does not exist today. One of the minarets (at southeast) was built from red brick and can be dated back from the reign of Mehmed or his successor Beyazıd II. The other three were built from white limestone and sandstone, of which the slender northeast column was erected by Bayezid II and the two identical, larger minarets to the west were erected by Selim II and designed by the famous Ottoman architect Mimar Sinan. Both are 60 m (200 ft) in height, and their thick and massive patterns complete Hagia Sophia's main structure. Many ornaments and details were added to these minarets on repairs during the 15th, 16th, and 19th centuries, which reflect each period's characteristics and ideals.[238][239]
How to Get to Hagia Sophia?
Hagia Sophia is located in the Sultan Ahmed district, easily reached by the tramway. Visitors can get by tramway and head towards Sultan Ahmed station; the mosque is a 5-minute walk from the station. Or they can use any taxi to get there.
aya sophia Cemetery
Hagia Sophia cemetery is part of the aya sophia complex. It has graves for five Ottoman Sultans who ruled the Ottoman Empire during the 16th and 17th centuries: Muhammad III, Selim II, Murad III, Ibrahim I, and Mustafa I, as well as some of their children. The cemetery has an impressive architecture ottoman style, with attractive calligraphy in Arabic.
